In Collection
#2015
Seen It:
No
Drama, Thriller
USA / English
| Omar Metwally |
Anwar El-Ibrahimi |
| Reese Witherspoon |
Isabella Fields El-Ibrahimi |
| Aramis Knight |
Jeremy El-Ibrahimi |
| Rosie Malek-Yonan |
Nuru El-Ibrahimi |
| Jake Gyllenhaal |
Douglas Freeman |
| Yigal Naor |
Abasi Fawal |
| David Fabrizio |
William Dixon |
| Mounir Margoum |
Rani |
| Driss Roukhe |
Bahi |
| J.K. Simmons |
Lee Mayer |
| Moa Khouas |
Khalid |
| Zineb Oukach |
Fatima Fawal |
| Laila Mrabti |
Lina Fawal |
| Meryl Streep |
|
| Alan Arkin |
|
| Peter Sarsgaard |
|
| Director |
Gavin Hood |
| Producer |
Steve Golin; Toby Emmerich; Keith Goldberg; Marcus Viscidi |
| Writer |
Kelley Sane |
The morality of government interrogation is questioned when an Egyptian- born chemical engineer is deemed a terrorist threat by the United States Government. Anwar El-Ibrahimi (Omar Metwally) disappears during a flight from South Africa to Chicago. His wife, Isabella (Reese Witherspoon), is denied information as to his whereabouts or the reason for his detention. CIA analyst Douglas Freeman (Jake Gyllenhaal) begins to question the morality of his assignment as the unorthodox interrogation, which more closely resembles torture instead of questioning. Alan Smith (Peter Sarsgaard) is an aide to Senator Hawkins (Alan Arkin) whose pleads to interfere with the corrupt interrogation fall on deaf ears. Meanwhile, an upper-echelon government operative in the Terrorism Unit, Corinne Whitman, (Meryl Streep) insist upon the success of this type of questioning in saving lives and the necessity of the torture to ensure safety for thousands. Where is the line between right and wrong?
| Distributor |
New Line Home Video |
| Barcode |
794043112928 |
| Region |
Region 1 |
| Release Date |
2/19/2008 |
| Packaging |
Keep Case |
| Screen Ratio |
Theatrical Widescreen (2.35:1) |
| Subtitles |
English; Spanish |
| Audio Tracks |
ENGLISH: Dolby Digital 5.1 [CC]
ENGLISH: Dolby Digital Stereo [CC] |
| Layers |
Single Side, Dual Layer |
| No. of Disks/Tapes |
1 |
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Outlawed Documentary Intersections: The Making Of Rendition Director Commentary |
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